Modernist Designers Series / Sergio Rodrigues

Our featured designer for June brought new levels of comfort and relaxation to modern design. He was also one of the first to spread the Modernist movement to South America. Meet the father of modern Brazilian furniture...

(   source   )

Sergio Rodrigues (1927-2014)
Brazil
Architect, Designer

Sergio Rodrigues’s modern designs epitomize the relaxed lifestyle of his native Brazil.

After studying architecture and design in Rio de Janeiro, Rodrigues introduced Brazil to modern design, opening its first modern art and furniture store. Two years later, he founded a firm called Oca to design modern furniture himself.

Rodrigues’s work embraced robust woods — like jacaranda, rosewood, and imbuia — and he often used leather. Together, these rich materials would create many uniquely modern designs, all of which boast an undeniably suave style.

In 1957, he developed his infamous Mole chair. “Mole” means “soft” in Portuguese, and this chair is also known as the “Sheriff Chair” abroad. This design won him first prize in Italy’s International Furniture Competition in 1961 and was immortalized in the Museum of Modern Art’s permanent collection in 1974.

Mole armchair in jacaranda and leather, 1957  (   source   )

Mole armchair in jacaranda and leather, 1957 (source)

Mole sofa in jacaranda and leather, 1957  (   source   )

Mole sofa in jacaranda and leather, 1957 (source)

Rodrigues also worked closely with Oscar Niemeyer to style the interiors of Niemeyer’s buildings in Brasília. Rodrigues named a chair design “Oscar” after him.

Oscar chair in jacaranda and cane, 1960s  (   source   )

Oscar chair in jacaranda and cane, 1960s (source)

Rodrigues stayed with Oca for 13 years and continued to design into his later years. He churned out more than 1200 designs in his long career, and it’s said that all of them stayed true to the relaxed and playful nature of his people.

In other words, he is more than the first to bring modern design to Brazil. He was also the first to bring Brazilian comfort to modern design!

More Modern Designs by Sergio Rodrigues

Diz chair in imbuia wood, 2002  (   source   )

Diz chair in imbuia wood, 2002 (source)

Kilin chair for his firm, Oca Industries, in Brazilian pine and leather, 1973  (   source   )

Kilin chair for his firm, Oca Industries, in Brazilian pine and leather, 1973 (source)

Tonico chair in jacaranda and leather, 1950  (   source   )

Tonico chair in jacaranda and leather, 1950 (source)

Benjamin lounge armchair in freijó wood, 2013  (   source   )

Benjamin lounge armchair in freijó wood, 2013 (source)

Cuiaba chair in freijó wood, 1985  (   source   )

Cuiaba chair in freijó wood, 1985 (source)

Keep an eye out for our next featured designer in July!

In the meantime, tell us your favorite modern designer in the comments below!

Modernist Designers Series / Poul Kjærholm

This month’s modern designer hails from Denmark, a country famous for producing many of the biggest names in the Modernist movement.

( source )

Poul Kjærholm (1929-1980)
Denmark
Designer

Poul Kjærholm is most known for bringing the use of steel into modern design, but surprisingly, his career started as a carpenter’s apprentice. It wasn’t until the early 1950s that Kjærholm studied under renowned designer Hans Wegner and Jørn Utzon (an industrial designer) at Copenhagen’s School of Arts and Crafts.

In the years that followed, Kjærholm designed chairs and tables for E. Kold Christensen and Fritz Hansen, and he earned several design awards along the way. He once said that his design philosophy came, not from expressing his own personality, but from expressing the personality of the materials.

By combining natural materials like wood and leather with his characteristic touch of steel piping, he created some of the most innovative furniture designs of the era. The PK22 and PK24 lounge chair designs are his most famous.

PK22 lounge chair, 1960 ( source )

PK22 lounge chair, 1960 (source)

PK24 lounge chair ( source )

PK24 lounge chair (source)

In addition to furniture design, Kjærholm also spent many years teaching at his alma mater, the Royal Danish Academy of Arts, and the Design Institute. Nevertheless, he continued to design chairs until his death in 1980.

More Modern Designs from Poul Kjærholm

PK9 Chair ( source )

PK9 Chair (source)

PK61 Coffee Table in Steel and Glass E. Kold Christensen Denmark ( source )

PK61 Coffee Table in Steel and Glass E. Kold Christensen Denmark (source)

PK71 Nesting tables for E. Kold Christensen ( source )

PK71 Nesting tables for E. Kold Christensen (source)

PK11 chair design for E. Kold Christensen, 1957 ( source )

PK11 chair design for E. Kold Christensen, 1957 (source)

“Holscher” chair with welded steel tube frame ( source )

“Holscher” chair with welded steel tube frame (source)

Keep an eye out for our next featured designer in May…

In the meantime, tell us about your favorite modern designer in the comments below!

Modernist Designers Series / Jacques Adnet

For our third modernist designer to know, we’re taking you into the heart of French art, culture, and history: Paris.

If you missed February’s featured designer, read here!

(   source   )

Jacques Adnet (1900-1984)
France
Architect, Designer

Jacques Adnet and his twin brother, Jean, received their artistic education at the École des Arts Décoratifs in Paris in 1916.

Following graduation, the twins founded their own design firm, Jean & Jacques Adnet, where they would work together for the next four years.

During this period, Adnet’s work was largely inspired by the popular Art Deco style of the early era. He used it to update traditional furniture in new ways and placed heavy emphasis on materials like leather, metals, mirror, and woods.

In 1928, the brothers’ paths took different directions when Jacques Adnet accepted a directorship at the design firm La Compagnie des Arts Français. It was here that his style began to shift towards the work he is most famous for…

He continued to use luxurious materials and to reinvent traditional forms, but he began to embrace the svelte lines and shapes of modernist design.

Campaign chair and ottoman, 1940s  (   source   )

Campaign chair and ottoman, 1940s (source)

Lounge chairs, 1950  (   source   )

Lounge chairs, 1950 (source)

Coffee table with mirror, 1930s  (   source   )

Coffee table with mirror, 1930s (source)

His unique modern style continued into the 1940s, when Hermès commissioned Adnet for nearly a decade’s worth of furniture designs. Adnet’s most famous pieces include the leather mirror, Circulaire, and his table lamp, Quadro VII, which was produced in Italy.

Circulaire, round leather mirrors, 1950  (   source   )

Circulaire, round leather mirrors, 1950 (source)

Quadro VII Lamp, 1929  (   source   )

Quadro VII Lamp, 1929 (source)

Adnet also renovated and designed several high-profile interiors in the 1940s and 50s, including French President Vincent Auriol’s private apartments, Paris’s UNESCO headquarters, and several luxury ocean liners.

When La Compagnie des Arts Français closed in 1959, he resumed his work as an art school director.

More Modern Designs by Jacques Adnet

Hand-stitched leather lounge chairs, 1950s-1960s  (   source   )

Hand-stitched leather lounge chairs, 1950s-1960s (source)

Leather magazine holder designed for Hermès  (   source   )

Leather magazine holder designed for Hermès (source)

Stitched leather desk, 1950s  (   source   )

Stitched leather desk, 1950s (source)

Leather table, 1950s  (   source   )

Leather table, 1950s (source)

Keep an eye out for our next featured designer in April…

In the meantime, tell us your favorite modern designer in the comments below!

Modernist Designers Series / Clara Porset

Our featured designer for February played a strong role in expanding modernist design beyond Europe. After being exiled from her native country, she adopted a new home and forever changed the way it would see design. We had the privilege of seeing her work in person on a recent trip to Mexico City!

If you missed January’s designer, read here.

(   source   )

Clara Porset (1895-1981)
Mexico (born in Cuba)
Designer

Clara Porset is credited for revolutionizing modern design in Mexico, though she didn’t start there.

Born in Cuba to a wealthy family, Porset studied at Columbia University’s School of Fine Arts, the École des Beaux Arts in Paris, as well as the Sorbonne, the Louvre, and Black Mountain College in North Carolina.

The latter is where she met Josef Albers, the former Bauhaus designer and educator famous for introducing color theory to modern design. Porset’s time with Albers would largely influence the modern forms of her future designs.

In the early 1930s, Porset attempted to return to Cuba to teach and design, but her support of the Cuban resistance led to political exile. She finally landed in Mexico, where she would spend the rest of her career and life.

Totonaca Suite, Low Chair, 1959  (   source   )

Totonaca Suite, Low Chair, 1959 (source)

To her great credit, Porset embraced Mexico’s culture and fused it with her work. She traveled around the country, soaking up its craft traditions, art, and culture. When she designed furniture, she kept the existing forms and edited out the ornate details, creating a simplified, modern take on tradition.

Her most famous designs were her new interpretations of Mexico’s butaque chair, a low, curving lounge chair with history dating back to Spanish rule.

Butaque Lounge Chair, 1940s  (   source   )

Butaque Lounge Chair, 1940s (source)

Butaque Lounge Chair, 1950  (   source   )

Butaque Lounge Chair, 1950 (source)

Butaque Lounge Chair, 1950s  (   source   )

Butaque Lounge Chair, 1950s (source)

Porset won many design awards within Mexico and received recognition from MoMA’s Organic Design for Home Furnishing contest in 1940. Several renowned architects of the age embraced her work as well, including Luis Barragán. Porset worked with Barragán personally to furnish his own home and many of his architectural projects. We’ll be sharing photos of their collaboration on the blog in the future, so stay tuned!

Porset’s lasting contribution to modern design was not only to spread it to Mexico, but also to give it a new flavor, one representative of the Mexican people themselves.


More Modern Designs by Clara Porset

Totonaca Suite, 3-Seat Sofa, 1959  (   source   )

Totonaca Suite, 3-Seat Sofa, 1959 (source)

High Armchairs  (   source   )

High Armchairs (source)

Woven Rush Folding Screen, 1950s  (   source   )

Woven Rush Folding Screen, 1950s (source)

Chairs in mahogany and cotton, 1950s  (   source   )

Chairs in mahogany and cotton, 1950s (source)

DM Nacional Desk, 1950s  (   source   )

DM Nacional Desk, 1950s (source)

Lounge chairs, 1950s  (   source   )

Lounge chairs, 1950s (source)

Keep an eye out for our next featured designer in March…

In the meantime, tell us your favorite modern designer in the comments below!

Before + After / Ayesha Curry's Homemade Pop-Up Shop

Homemade Pop-Up Shop Window.jpg

In case you haven’t heard, we had the incredible opportunity of designing Ayesha Curry’s Homemade Pop-Up Shop in Oakland’s Jack London Square! Ayesha recently relaunched her Homemade brand, and the pop-up shop was a way for her fans to experience her brand and products in real-life. We had a blast creating a retail space that embodied her vision!

You can visit the store throughout the month of February at 423 Water St, but in case you can’t make it in-person, here’s some before and after photos to show you what we accomplished in TWO WEEKS start to finish. Big thanks to partner Cost Plus World Market who provided all of the furnishings!

BEFORE: Sad white walls

BEFORE: Sad white walls

AFTER: Never underestimate the power of paint to transform!

AFTER: Never underestimate the power of paint to transform!

BEFORE: Blue walls left over from the previous tenant

BEFORE: Blue walls left over from the previous tenant

AFTER: Beautifully styled shelving and tabletops to show-off the wares

AFTER: Beautifully styled shelving and tabletops to show-off the wares

BEFORE: Depressing ceiling tiles

BEFORE: Depressing ceiling tiles

AFTER: No one’s looking at the ceiling tiles when there’s a bedroom scene this beautiful

AFTER: No one’s looking at the ceiling tiles when there’s a bedroom scene this beautiful

BEFORE: A depressing, poorly lit space

BEFORE: A depressing, poorly lit space

AFTER: A peaceful retreat while shopping

AFTER: A peaceful retreat while shopping

Looking for more? Read the short Q&A with Ayesha herself in the Rue Magazine feature.

What do you love most about this retail space transformation? Share with us in the comments below!