Modernist Designers Series / Jacques Adnet

For our third modernist designer to know, we’re taking you into the heart of French art, culture, and history: Paris.

If you missed February’s featured designer, read here!

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Jacques Adnet (1900-1984)
France
Architect, Designer

Jacques Adnet and his twin brother, Jean, received their artistic education at the École des Arts Décoratifs in Paris in 1916.

Following graduation, the twins founded their own design firm, Jean & Jacques Adnet, where they would work together for the next four years.

During this period, Adnet’s work was largely inspired by the popular Art Deco style of the early era. He used it to update traditional furniture in new ways and placed heavy emphasis on materials like leather, metals, mirror, and woods.

In 1928, the brothers’ paths took different directions when Jacques Adnet accepted a directorship at the design firm La Compagnie des Arts Français. It was here that his style began to shift towards the work he is most famous for…

He continued to use luxurious materials and to reinvent traditional forms, but he began to embrace the svelte lines and shapes of modernist design.

Campaign chair and ottoman, 1940s  (   source   )

Campaign chair and ottoman, 1940s (source)

Lounge chairs, 1950  (   source   )

Lounge chairs, 1950 (source)

Coffee table with mirror, 1930s  (   source   )

Coffee table with mirror, 1930s (source)

His unique modern style continued into the 1940s, when Hermès commissioned Adnet for nearly a decade’s worth of furniture designs. Adnet’s most famous pieces include the leather mirror, Circulaire, and his table lamp, Quadro VII, which was produced in Italy.

Circulaire, round leather mirrors, 1950  (   source   )

Circulaire, round leather mirrors, 1950 (source)

Quadro VII Lamp, 1929  (   source   )

Quadro VII Lamp, 1929 (source)

Adnet also renovated and designed several high-profile interiors in the 1940s and 50s, including French President Vincent Auriol’s private apartments, Paris’s UNESCO headquarters, and several luxury ocean liners.

When La Compagnie des Arts Français closed in 1959, he resumed his work as an art school director.

More Modern Designs by Jacques Adnet

Hand-stitched leather lounge chairs, 1950s-1960s  (   source   )

Hand-stitched leather lounge chairs, 1950s-1960s (source)

Leather magazine holder designed for Hermès  (   source   )

Leather magazine holder designed for Hermès (source)

Stitched leather desk, 1950s  (   source   )

Stitched leather desk, 1950s (source)

Leather table, 1950s  (   source   )

Leather table, 1950s (source)

Keep an eye out for our next featured designer in April…

In the meantime, tell us your favorite modern designer in the comments below!

Modernist Designers Series / Gio Ponti

Can you believe it’s been nearly 70-80 years since the Modernist movement started? It was around the 1940s that designers and architects first embraced this style, but it wasn’t called “modernism” just yet.

Design’s shift toward clean lines, minimalism, and natural materiality took hold in interiors, furniture, ceramics, and architecture. Although each designer had his or her own unique approach, these were the features that characterized modern design over the following thirty years.

This year, we’re sharing twelve of the top masters behind this major movement — one for every month of 2019. First up:

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Giovanni (Gio) Ponti (1891-1979)
Italy
Architect, Designer, Artist

Gio Ponti was born in Milan in the late 1800s and is credited as being the most influential Italian designer of his time. Although he studied architecture at the Politecnico di Milano, his professional career began as the artistic director of the ceramics company, Richard Ginori.

There, his initial work was influenced by classicism until 1925, when he transitioned to the Art Deco and Modernist styles.

In these years, Ponti coined “forma finita,” his theory that a design is complete when nothing can be added or taken away. You can see evidence of this concept in his furniture lines, where vestiges of Art Deco’s geometric forms pave the way for modern simplicity. The resulting creative “lightness” of design is uniquely Ponti.

His other notable accomplishments include founding the still-circulating architecture and design magazine Domus in 1928, as well as designing the iconic Pirelli Tower in Milan. He is still widely revered in the industry today — we saw his work on exhibit in Paris just last November!

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Superleggera chair design for Cassina, 1957

Superleggera chair design for Cassina, 1957

Bureau Giordano Chiesa, 1953

Bureau Giordano Chiesa, 1953

Console collaboration, Gio Ponti and Paolo de Poli, 1942

Console collaboration, Gio Ponti and Paolo de Poli, 1942

Ocean Liner Armchair, Heritage Collection, 1951

Ocean Liner Armchair, Heritage Collection, 1951

Dezza armchair, 1965  (   source   )

Dezza armchair, 1965 (source)

Keep an eye out for our next featured designer in February…

In the meantime, tell us your favorite modernist designer in the comments below!